My second
premiss is that of what may be called, for want of a better
term,
relativity. If the first premiss asserts the possibility of a radical
break
with nature as given, the second asserts the possibility of a radical
break
with ail forms of social alienation. This is the premiss that all
historical
achievements are relative. The postulate of a possible escape
from alienation
might also be called the 'prophetie' premiss, since the
prophets
of Israël were here the pioneers, with their struggle against
idolatry,
against what we call 'alienation'. The prophets taught that no
work of
man's hand or brain should ever be regarded as absolute, as
permanent,
as definitive. This second premiss could also be expressed
as
follows : no historical achievement can ever be treated as a final goal ;
that is
the way all institutions are perverted. When a Church thinks
of itself
as the visible image of the City of God, when a monarchy claims
divine
right, when capitalism claims to fulfil natural law, when Stalinism
claims to
be the embodiment of socialism, then the society in question
is
perverted. Any dogmatism of this kind robs a political system of its
essential
human dimension, namely of the possibility of transcending
itself.
Bertolt Brecht spoke truly when he declared : 'We must change
the
world, and then we shall have to change the changed world.' This
prophetie
challenge seems to me indispensable, not least to Marxism
if this
is not to degenerate into a new form of Stalinism.
Seen in
this way, the act of artistic creation may perhaps provide both
revolutionary
action and the Christian faith with the example they need.
The act
of creation is an attempt to break out of the closed world of
man. In
his Voix du silence, Malraux says : 'Bound though art may be
to the
civilization which gives it birth, it often goes beyond it and perhaps
even
transcends it, as if it were summoning up forces beyond its
ken,
appealing to a human wholeness beyond its reach.'
Affirmation
of another world cannot be used as a pretext to cast an
aura of
sanctity over our actions in this world, or over established orders
or
counter-revolutions, or even revolutions.
We have
no positive criterion, of course, to enable us to determine
what is
going in fact to live, no way of judging between the various
possibilities
for the future, i.e. what does not yet exist and what may
perhaps
never exist. But the great merit of the Christian faith in this
respect,
and the reason why Marxism needs its challenge if it is not to
become a
closed dogmatism, is that this faith not only teaches us a
negative
theology which prevents us from saying that God is this or that
and so
enclosing Him in a definition, but also provides us with a negative
anthropology
which prevents us from saying that man is this or that,
and so
enclosing him in a definition. Perhaps it also provides us with a
negative
ethics and a negative politics which prevent us from saying this
or that
is the good or the perfect order and thus enclosing them too in
a definition.
A certain way of posing questions
Looked at
in this light, faith is perhaps a certain way of posing questions,
beginning
with the most basic, the question of meaning and purpose.
This
means a break with the established system of values. In this respect,
I think
the Roman authorities were not mistaken ; even if Christ could
not be
identified as a Zealot, i.e. had no political programme for the
overthrow
of the Roman Empire, it was still the case that he challenged
ail
established values ; they did not mistake their target in striking at
Christ as
someone who seemed to them to be a revolutionary, more
subversive
indeed than if he had sponsored a programme of direct
political
action like that of the Zealots. Jesus had in fact made a radical
breach in
the most fundamental law of society, that which is based on
property,
power and expertise. He refused to play the game — even
the game
of justice — according to the rules.
In this
connection it may be noted that our textbooks of philosophy
often
solve the problem of reconciling justice and love much too easily,
as if
love were merely a slightly larger measure of justice. But love is in
fact the
contrary of justice. Let me illustrate this. Victor Hugo's Les
Misérables
was recently presented on French television. Many
viewers
must have
asked themselves which of the characters represented justice:
Bishop
Myriel or Javert the policeman ? It is surely Javert who is on
the side
of justice, since justice here means treating people as they are,
the
criminal as a criminal, the innocent as innocent. And when the
bishop
helps a thief to evade punishment by claiming that he had given
him the
stolen candlesticks, love is seen to be the contrary of justice,
not its
complement. This is why the upholders of law and order usually
have
little sympathy for love, since love is always a fomenter of disorder.
Precisely
for this reason a revolution can never be complete and irreversible
unless it
bases its judgments not on justice but on love. To base
them on
justice is to appeal to the past, and to be just then means
treating
people in accordance with what they have done, i.e. in accordance
with
their past, whereas love is a wager on the future, a risk of the
kind
taken by Bishop Myriel in Les Misérables. A whole human life
can be
radically changed by this act of love. It is not a matter of giving
each man
his due, but of giving each man everything, namely the absolute
trust
which leaves him room, prophetie room, to become a different
man.
Without this there will be no revolution. There will be a transfer
of
property, a transfer of power, a transfer of culture, but the tyrannies
and alienations
will remain.
Seen in
this light, the problem is to know what kind of society we can
bring
about. Up to now we have known two kinds of society. There
is the
individualist conception, that of Rousseau, for example, in his
Contrat
social, where we have it in its pure form. Here, society does
not exist
prior to the decision of individuals to establish it. Society is
a
voluntary association of independent, rational, individual human
beings
who decide to cooperate in order to provide for the corporate
satisfaction
of specific needs. That is one type of society, French
Revolution
type, if you like. Then there is the totalitarian conception
which
holds on the contrary that society embodies a community which
exists
prior to the individuals who constitute it.
Marx's
criticism of both these types of society was twofold. He illustrated
by means
of the Jewish question the superficial character of
democracy
on Rousseau's pattern and demonstrated the mythical
character
of totalitarianism in his critique of Hegel's political philosophy.
But
though Marx showed that socialism is neither individualist (with
Proudhon)
nor totalitarian (with Hegel), he was unable for historical
reasons
to produce a model of the society he wished to see. Thus the
problem
seems to me to be to devise a society in which personal freedom
does not
degenerate into the individualism of the jungle — the spectacle
afforded
us by the entire history of capitalism — and in which the
community
ethos does not degenerate into totalitarianism — which is
unfortunately
where non-capitalist societies have ended until now.
Totalitarian
society based on the notion of a pre-existing community is
essentially
an appeal to the past. Individualistic society on Rousseau's
pattern
is merely the outcome of unrelated individual decisions, of a
contract
which embodies these decisions at each given moment, and
appeals
to the present. In the former case, society is an organic whole
composed
of different objects. In the latter case, it is composed of
nothing
but subjects, and, to tell the truth, of egoistic subjects. But
neither
takes into account man's fundamental dimension, namely his
future.
The one is based on man's past, the other on man's present.
One
regards man as an object, the other as a subject. But man is first
and
foremost a project. When we speak of a model of socialism different
from
those already known to us, the problem is precisely to secure room
for this
fundamental dimension to be respected, to allow for man's
future
and for his possibility of, so to speak, projecting his prophetic
nature.
This is
why — here again we find an aesthetic imperative — one of the
main
criteria for defining any particular social system is its official
attitude
to the creative work of the artist. It may do what capitalist
societies
do and make works of art part and parcel of the market
economy,
or it may do what present socialist régimes do and make them
subservient
to apologias for current policies. In neither case is there
any
respect for what is specifically human in man, namely for his capacity
to look
ahead, for the prophetic character which is also the basic character
of ail
great art and the criterion of society as it should be : neither
individualist
nor totalitarian, based neither on the past nor on the
present
but on the future ; a society which is 'eschatological', or, if that
smacks
too much of theology, a forward-looking society, open to hope
and
respectful of the prophetic character of each and every man.
Admittedly
this model of society has still to be filled out and put into
practice,
but the fact that it does not yet exist does not mean that it
never
will. On the eve of any revolution there have always been those
who said
: It has never happened before. It can't happen now.' I do
not
believe such a society is utopian. Any new style, any new idea of
man has
always been dismissed as folly. After ail, Christianity was
folly to
the wise in their wisdom. The French Revolution, it was said,
was an
absurd and criminal attempt to overthrow the inevitable and
eternal
order of things.
To affirm
this possibility of advancing beyond the present and the past
is the
second essential premiss of ail revolutionary action as of ail faith.
Roger Garaudy
>> TO BE CONTINUED HERE >>
Roger Garaudy
>> TO BE CONTINUED HERE >>
THE ECUMENICAL REVIEW – 1973-January - pages
59 to 79
A lecture, transcribed from a recording, given at the Ecumenical Centre, Geneva, in October 1972 on the occasion of an exhibition of books and journals in French (see Ecumenical Diary , below). ROGER GARAUDY is Professor of Aesthetics in the University of Poitiers, France. His books include From Anathema to Dialogue (English édition : London, Collins and Co. and New York, Herder and Herder, 1966) and L'Alternative (Paris, Robert Laffont, 1972). The lecture was translated from the French by the WCC Language Service. The original is published in the Bulletin du Centre Protestant d'Etudes, Geneva, 1973.
A lecture, transcribed from a recording, given at the Ecumenical Centre, Geneva, in October 1972 on the occasion of an exhibition of books and journals in French (see Ecumenical Diary , below). ROGER GARAUDY is Professor of Aesthetics in the University of Poitiers, France. His books include From Anathema to Dialogue (English édition : London, Collins and Co. and New York, Herder and Herder, 1966) and L'Alternative (Paris, Robert Laffont, 1972). The lecture was translated from the French by the WCC Language Service. The original is published in the Bulletin du Centre Protestant d'Etudes, Geneva, 1973.